Category Archives: Pitman Reviews
Tomás Cotik: Piazzolla Legacy
Violinist Tomás Cotik (toh-MAHSS ko-TEEK), Assistant Professor of Violin at Portland State University, was born in Argentina. But that doesn’t mean that he grew up loving the tango. It took living in another country – Germany, to be exact – to develop that love for his home country’s signature musical style. Mr. Cotik chats with… More
TROIKA: Cellist Matt Haimovitz and pianist Christopher O’Riley
Cellist Matt Haimovitz has never been content to just “be quiet and play the music”. That statement, often fired at musicians when they express their opinions, has been heard with greater frequency in recent years. One could argue that a musician is paid to play; but it can also be argued that music as an… More
Alma Espanola: Isabel Leonard and Sharon Isbin
This is a special recording on a number of fronts. In the first place, it’s the premiere by these two artists, both of them winners of multiple Grammy awards, recording together after collaborating for several years in concert. Second, this is the first recording in about 40 years devoted exclusively to Spanish songs for voice… More
Composer Jack Gallagher
American composer Jack Gallagher (born in Brooklyn in 1947), is a Grammy®-winning composer of works for a variety of instruments, including several orchestral works. Some are of a large scale, such as his Symphony No. 2, ‘Ascendant’, while others, such as his Berceuse (lullaby) are diminutive but make as much of an impression. Part of… More
Bel Canto Paganini: Rachel Barton Pine takes on the Caprices
Nicolo Paganini dazzled audiences in his time with his unprecedented virtuosity, made women swoon (and men envious), and helped to create the myth that he must have sold his soul for such abilities. In truth, Paganini was a gifted creator of original melodies, as well as variations on opera arias and popular tunes of his… More
Simone Dinnerstein takes Mozart to Havana
American pianist Simone Dinnerstein, who first received critical acclaim for her recording of Bach’s Goldberg Variations, has made collaboration a major part of her career since that first, solo recording. She has created recordings that bridge the worlds of classical music, jazz and folk. Her longtime collaborator and arranger, composer Philip Lasser, has been with… More
Emerson Quartet bridges the centuries (Music of Britten and Purcell)
The members of the Emerson String Quartet are keeping plenty busy, both onstage and in the studio. They’re touring, too: the four members of the Grammy® – winning chamber ensemble were in Portland recently (presented by Chamber Music NW), and will return in July. It’s all part of a well-deserved celebration of the group’s 40th… More
Jennifer Higdon’s Majestic music
On the heels of their triple-Grammy® – winning CD of Michael Daugherty’s music (Tales of Hemingway), the Nashville Symphony Orchestra continues its commitment to American music with this showcase of Jennifer Higdon works. All Things Majestic (Naxos) includes the eponymous composition, which was written for the Grand Teton Music Festival. It certainly captures the splendor… More
Prodigy, genius, legend: The Menuhin Century
2016 marks the 100th anniversary of the birth of Yehudi Menuhin, truly one of music’s most international figures. He was also one of those people who seem to have been born at just the right time in history. It was the dawn of the age of recorded music, and Menuhin started his relationship with recordings… More
The Cello Suites According to Anna Magdalena, and Matt Haimovitz
I recently had the pleasure of speaking with Matt Haimovitz, the American cellist who garnered a lot of attention fifteen years ago, when he performed in “unusual” venues, including brew pubs and rock clubs. This was ground-breaking stuff back then; now it seems less surprising to see a cadre of bass-instrument players strike bow to… More
