Category Archives: Pitman Reviews
John Pitman Review: “Babel” Speaks Clearly Through the Language of Music
Program Director John Pitman discusses the second release by the Calidore String Quartet, which contemplates the intersection of music and language. Violinist Estelle Choi, one of the four founding members of Calidore, shares how “the desire to explore the innate human drive for communication,” became the focus of their new recording. Choi describes the inspiration… More
John Pitman Review: Osvaldo Golijov on “Falling Out of Time”
John interviews composer Osvaldo Golijov about the new album that features the Silkroad Ensemble. Falling Out of Time, which was written for the ensemble by longtime collaborator/composer Osvaldo Golijov, is an 80-minute tone poem based on David Grossman’s novel about parental grief and loss. In John’s interview with the composer, Mr. Golijov likened it to… More
John Pitman Review: Miró Quartet complete their Beethoven cycle
The Miró Quartet, who visited Portland in February hosted by Chamber Music NW, is celebrating the 250th anniversary of Beethoven’s birth with the release of the complete string quartets. They began around 2005 with the Opus 18 (Beethoven’s first published set), recording them at the same age the composer was when he wrote them, in other… More
John Pitman Review: Jonathan Biss completes Beethoven journey
As a part of the celebrations this year of the 250th anniversary of the birth of Ludwig Van Beethoven, program director John Pitman is interviewing some of today’s top artists involved in the newest recordings of his music. American pianist Jonathan Biss has just completed a 9-year journey exploring the piano sonatas of Ludwig Van Beethoven…. More
John Pitman Review: Silenced Voices
String Trio debuts with “Silenced Voices” (Black Oak Ensemble) 2020 (specifically, January 27) marks the 75th anniversary of the liberation of Auschwitz, the WWII concentration camp that is symbolic of the persecution and murder of millions of Jews and other groups by the Nazi regime. In addition to the handful of people who survived the… More
John Pitman Review: Sound of Silence, Miloš returns
The Montenegro-born guitarist Miloš has just released his fifth album, and the first in about 3 years. Sound of Silence (Decca) is, in a way, autobiographical: in 2016, just after the release of his Beatles-inspired disc, Blackbird, Miloš began experiencing a tightness in his hand that affected his ability to play. He eventually stepped away… More
John Pitman Review: Violinist Margaret Batjer and the LA Philharmonic
Violinist Margaret Batjer has been associated with the Los Angeles Chamber Orchestra for a number of years. In their first CD for the Swedish BIS label, Batjer and the LACO begin with a new violin concerto by Quebec-born composer, Pierre Jalbert. With movements titled “Soulful, mysterious”, and “With great energy”, Jalbert’s concerto is in good… More
John Pitman Review: Self-titled debut – Pianist Wei Luo
To introduce a pianist saying that he or she started lessons at the age of five is probably not going to raise eyebrows. However, to say that this particular pianist advanced at such a rate that she entered the Curtis Institute at age 13 is something that might catch notice. That’s the first part of… More
John Pitman Review: Sharon Isbin’s “Souvenirs”
Guitarist Sharon Isbin has recorded nearly everything in her instrument’s repertoire. Still, it’s refreshing to hear that, when an artist such as Ms. Isbin revisits a work (such as the Vivaldi D Major concerto), she gives us an interpretation with subtle differences from what came before. On “Souvenirs of Spain and Italy”, Isbin partners with… More
New York Polyphony’s “Lamentations”
New York Polyphony‘s bass, Craig Phillips, shares the story of how his group rediscovered music of the 16th century composer, Francisco de Peñalosa, and how that composer’s “Lamentations of Jeremiah” are so perfectly suited to his group’s voices, that it seems Peñalosa wrote the work for them. On the recording, New York Polyphony include works… More
